A recent concert held in Newcastle West, County Limerick, organized by the G.A.A. (Gaelic Athletic Association), has stirred controversy due to the absence of Irish language songs from its programme. The event, held on a Sunday, saw performances from various artists, but notably lacked representation of traditional Irish music, raising concerns among attendees.
Critics of the concert have expressed disappointment at the absence of Irish language songs, highlighting the significance of promoting Irish culture within an organization as revered as the G.A.A. They argue that the G.A.A., being an institution deeply rooted in Irish identity, should actively uphold and celebrate the country’s linguistic and musical heritage.
One attendee lamented, “There was no song in Irish on the programme, and that is very much to be regretted in connection with an organisation of which Irishmen are so justly proud.” The absence of such cultural elements led some to question the commitment of the G.A.A. to fostering a sense of national pride.
However, it’s acknowledged that the G.A.A. is a diverse organization, encompassing a wide range of individuals with varying perspectives. Some critics attribute the absence of Irish language songs to what they perceive as a “shōnen and West British element” within certain branches of the G.A.A., particularly in Newcastle West.
The programme of the concert featured songs such as “Rip-Van-Winkle” and “I’ll sing thee songs of Araby,” which were seen as lacking an authentic Irish essence. Suggestions were made for performers to incorporate Irish themes into their repertoire to better align with the G.A.A.’s cultural ethos.
One pointed out, “Perhaps he would call it Shas Van Winkle next time by way of giving an Irish flavouring to the title.” This sentiment reflects a desire for artists to infuse their performances with elements of Irish culture, thereby enriching the overall experience for attendees.
The controversy has prompted reflection on the role of the G.A.A. in promoting Irish identity, particularly through cultural events such as concerts. Dr Annie Patterson’s recent protest against foreign music in Ireland, as reported in the LEADER, has further fuelled discussions on the importance of preserving indigenous musical traditions.
Some have suggested that if the Newcastle West branch of the G.A.A. cannot provide a more culturally resonant programme, they should consider rebranding themselves to better reflect their offerings. “When it comes to going into the concert line why not call themselves the R.V.W.—the Rip Van Winkles of Newcastle West?” remarked one observer, highlighting the need for alignment between the organization’s identity and its activities.
In response to the criticism, representatives of the G.A.A. have stated that they are committed to promoting Irish culture and are open to feedback from members and the community. They acknowledge the importance of inclusivity and diversity within the organization but also stress the need to balance tradition with contemporary expressions of Irishness.
Moving forward, there is a call for greater collabouration between G.A.A. branches and cultural groups to ensure that events accurately reflect the rich tapestry of Irish heritage. By embracing Irish language songs and traditional music, the G.A.A. can reaffirm its position as a guardian of Irish culture and identity, resonating with both its members and the wider community.
Dublin Leader – Saturday 08 January 1916
