The curtains rose on a night of musical enchantment as the concert unfolded its vibrant tapestry. The stage was graced with the melodic strains of the Irish chorus “Eileen Aroon,” performed with a flawless finesse by the school boys. Their voices painted the air with evocative hues, setting the tone for an evening filled with Irish spirit. A second chorus, “Fainne Geal an La,” woven in the national language, drew well-deserved applause, its authenticity resonating deeply.
Laughter echoed through the hall as Masters I.P. Dalton and Stephen Muivihill weaved humorous Irish tales, earning the recognition their efforts merited. These narratives were carefully prepared, harmoniously blending with the contributions of other school boys who graced the stage. The hand guiding this orchestration of youthful talent belonged to Mr I. O’Connor, N.T., a devoted worker whose commitment to Irish Ireland shone through.
The orchestra, offering a musical embrace with “Irish Airs,” drew admiration for their artistry. Notes intertwined and melodies danced, evoking a symphonic dialogue with the audience’s hearts. A new layer of enchantment unfurled as the school girls, guided by the diligent hand of Miss Eileen Carmody, performed their vocal offerings. “Merrily Singing,” “The West’s Asleep,” and “Come Back to Erin” took flight, their lyrical wings carrying the listeners to Irish landscapes of sentiment.
Master T. Breen, hailing from Killarney, took the stage with Irish step-dancing that ignited the room. With each tap and twist, he etched his artistry upon the very air, captivating the audience’s senses. The magic of the evening continued with Mr J. Macaunlay, whose resonant voice carried forth “The Old Brigade” and “The Light of Other Days” in splendid style.
A moment of vocal brilliance unfolded as Miss Quaid from Limerick graced the stage. Her contralto voice held a world of emotion, tenderly conveying the essence of “Ireland, I Love You,” “Come Back to Erin” (a version distinct from that sung by the schoolgirls), and “The Kerry Dance.” Her gift was met with rapturous applause, her notes lingering in the air like whispered secrets.
Mr D. O’Sullivan’s violin solo danced with virtuosity, entwining threads of emotion within each note. The visual realm merged with sound as Mr M.L. Collins, Listowel, presented the illustrated song “Eileen Alannah,” a spellbinding contribution that stirred hearts.
Throughout this musical odyssey, the accompaniments flowed skillfully from the fingertips of the Misses Carmody, Fitzmaurice, and Mr J. O’Sullivan. As the final curtain drew near, Fr. Dillon took the stage, his heart brimming with gratitude. He extended his heartfelt appreciation to the various artistes and all those who had woven their talents into the evening’s success.
A chorus of applause filled the space as the evening culminated with a heartwarming vote of thanks to the Chairman, whose guiding presence had anchored the symphony of performances. As the applause subsided and the final notes whispered their farewells, the echoes of the night lingered, a reminder that in harmonious union, melodies can touch souls and laughter can bridge hearts.
M. O’Sullivan of Russell Street, standing steadfast in the integrity of his craft, continues to let his boots, shoes, and leathers speak for themselves. Rather than relying on mere words, he invites the public to experience the quality firsthand. M. O’Sullivan’s abode on Russell Street remains a haven for those who seek excellence in footwear and leather craftsmanship.
Kerry Evening Star – Monday 14 May 1906
