The stately Royal Theatre in Limerick was bathed in applause and admiration on Monday night as Mr J.W. Whitbread’s resplendent Irish historical drama, “Sarsfield,” unfolded its captivating narrative. This theatrical masterpiece belongs to a distinguished class, showcasing Mr Whitbread’s adeptness in sidestepping the constraints of historical exigencies. The play masterfully paints the portrait of an Irishman endowed with high character, romantic ideals, and unselfish devotion, boldly contrasting the prevailing deception, duplicity, and meanness of the era in which his destiny unfolds.
Sarsfield, as envisioned by the playwright, emerges as an intensely human character – single-minded and fiercely loyal to whatever resonates with his principles. While the play pivots on themes of love and jealousy, it transcends into a melodrama that intertwines elements of military prowess, inspired patriotism, and the fervent desire to expel foreign mercenaries who reneged on their promises after the siege of Limerick. The plays main theme is the desire to expel foreign mercenaries who reneged on their promises after the siege of Limerick.
Mr Robert Faulkner’s portrayal of Sarsfield is nothing short of a tour de force, a nuanced impersonation brimming with force and intense human feeling. Faulkner breathes life into a character whose confidence and unwavering faith in the woman he loves stand unshaken against the vilest of plots. Miss Annie Graham, as Lady Honor Burgho, complements this dynamic with grace, embodying a lady of high principle and artless integrity who maintains her place in the hero’s affections despite the perfidy and deceit that surrounds them.
Adding a delightful dimension to the narrative is the portrayal of the gay, staunch, and light-hearted rapparee, Gallopin’ Hogan, by the talented Mr James O’Brien. His work contributes significantly to the overall success of the performance, providing moments of levity and depth. The envious Lady Boqe, Sarsfield’s wife’s rival, finds an effective representative in the capable hands of Miss Marie Barrett, while Miss Kathleen Emmett shines in her role as Eilly Blake, the Rapparee’s “Acushla.”
Mr Dane Clarke, in the role of General de Ginkle, delivers a capital performance, and the supporting cast, including Messrs. C. O. Raynor, Harry Ireland, J. C. Wilton, Tom Conlan, A. O’Neill, J. C. Warren, J. B. Tolly, A, R. Camden, D. J. Davis, Arthur Warren, and Miss Laura Lawson, ably fill their respective parts, contributing to the overall tapestry of excellence.
A noteworthy feature of the evening was the magnificent scenery and costumes, elevating the visual spectacle to new heights. The meticulous attention to detail in set design and costume selection transported the audience seamlessly to the historical backdrop, enhancing the immersive experience.
As the curtain fell on this triumphant night at the Royal Theatre, the lingering echoes of applause reverberated through the hallowed halls, a testament to the city’s vibrant cultural scene and the enduring power of theatrical storytelling. “Sarsfield” stands tall as a testament to the artistry of Mr J.W. Whitbread and the collective brilliance of the cast and crew, leaving an indelible mark on the hearts of all who were fortunate enough to witness this theatrical extravaganza.
Weekly Freeman’s Journal – Saturday 27 May 1911
