Work and Industry

Historical stories concerning employment, factories, docks, workshops, trades, labour movements, strikes, unemployment and industrial change in Limerick and Ireland between 1900 and 2000, including the experiences of workers, employers, unions and local communities.

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Archive Records

Bridge Limerick

Bridge Limerick

Image 10 July 2026

A sweeping view of Wellesley Bridge, now Sarsfield Bridge, crossing the River Shannon in Limerick City. The elegant 1835 structure rises with restrained neoclassical grace, its stone arches carrying traffic between the historic city centre and Thomondgate on the northern shore. Calm river water reflects the bridge’s pale masonry, while quays, rooftops, and distant activity suggest a city expanding beyond its old boundaries. Maritime details, mooring points, and riverside movement evoke Limerick’s trading past. The scene should feel dignified, atmospheric, and historically grounded, presenting the bridge as both active crossing and enduring architectural landmark.

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Nua Ruins

Nua Ruins

Image 16 July 2026

The old church near Holycross, County Limerick, was recorded as a ruin by 1642. In 1679, Rachael Bourchier, Countess of Bath, restored the building, just one year before her death. Thereafter it became known as the New Church, or Teampall Nua in Irish, and served local Church of Ireland parishioners. A belfry was added during the restoration, giving the structure a distinctive profile. Although the church later fell out of use and returned to ruin, its surviving walls, arched openings and graveyard remain important reminders of seventeenth-century religious life and the long history of worship at this historic site today.

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Castle Restored

Castle Restored

Image 14 July 2026

This reconstructed view presents Glenduff Castle in County Limerick as it may have appeared before its destruction in 1922. The imposing residence combines the fortified character of an earlier seventeenth-century tower house with the Gothic Revival additions created for the Ievers family around 1840. Tall crenellated towers, pointed windows, battlements and a formal central entrance give the building a commanding presence. Set within carefully maintained lawns and mature woodland, the castle reflects the scale and confidence of a nineteenth-century Irish country estate. The image offers a plausible visual impression rather than a definitive record of its original appearance or grandeur.

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Stone Cottage

Stone Cottage

Image 13 July 2026

This February 1937 photograph shows a weathered stone cottage in Limerick, with children gathered at its doorway and along the narrow street outside. The rough masonry, patched walls, boarded upper windows and low, sloping roof reveal the building’s age and modest condition. Electrical wires cross above the house, suggesting the gradual arrival of modern services within an older urban landscape. The children’s presence brings warmth and life to the scene, contrasting with the severe exterior and surrounding ruins. The image provides a valuable record of working-class housing, childhood and community life in pre-war Limerick during a period of social change.

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Monument Gathering

Monument Gathering

Image 16 July 2026

This reconstructed image depicts the Treaty Stone in Limerick as it may have appeared around 1880, standing on its substantial stepped pedestal as a powerful emblem of the city’s past. Groups of townspeople, including men, women and children in period clothing, gather around the monument in a lively public setting. In the background, traditional buildings, stone walls and the nearby tower reinforce the historic atmosphere of the riverside area. Long associated with the Treaty of Limerick of 1691, the stone remained an important civic landmark, meeting place and symbol of memory, identity and local heritage in nineteenth-century Limerick.

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Co Limerick

Co Limerick

Image 14 July 2026

Elm Hill, County Limerick, was built around 1790 for the Studdert family as an elegant Georgian country residence. The six-bay, two-storey house stood over a raised basement and contained spacious reception rooms, nine bedrooms, servants’ quarters, kitchens, cellars and service rooms. Following the Great Famine, it was offered for sale and described as being in excellent repair. The property remained substantial for generations but gradually fell vacant and deteriorated. A 2008 architectural survey praised its limestone doorcase, carved timber entrance, slate-hung elevations, fireplaces and decorative plasterwork. Its recognised importance led to designation as a protected structure under Irish planning legislation.

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Local Identity

Local Identity

Image 10 July 2026

On Sarsfield Bridge in 1940s Limerick, the 1916 Memorial rises proudly beside the roadway, enclosed by green iron railings and watched over by elegant lamps. Its pale stone pedestal supports bronze figures commemorating the Rising, their solemn poses lending dignity to the riverside setting. Trees line the background, softening the urban scene and framing the monument against a bright open sky. Pedestrians in period dress walk along the bridge, suggesting ordinary city life continuing around a place of remembrance. The image captures civic pride, republican memory, and the enduring presence of national history within Limerick’s daily landscape and local identity.

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John’S Castle

John’S Castle

Image 9 July 2026

King John’s Castle stands beside the River Shannon at Curragower Falls, with broken water, river rocks and the castle’s stone frontage visible across the scene. The round towers, curtain walls and riverside defences remain central, while the burned Castle Barracks appears roofless and blackened within the enclosure. Thomond Bridge is visible to the left, with nearby trees, older buildings and a church tower rising beyond the castle walls. The river surface shows ripples, reflections and shallow movement below the fortifications. The image presents the castle after damage, set within the wider early twentieth century Limerick urban riverside landscape after 1922.

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Mary Street

Mary Street

Image 16 July 2026

Dutch Billy houses were once a distinctive feature of Limerick’s Englishtown and Irishtown districts. Characterised by narrow brick façades, steeply pitched gables and tall windows, the style developed in Irish towns during the late seventeenth and early eighteenth centuries. Many examples survived along Mary Street into the early twentieth century, preserving the appearance of Limerick’s merchant quarters. Their name is traditionally associated with King William III, although the term was applied broadly to gabled urban houses of the period. By around 1900, these buildings stood as reminders of the city’s commercial growth, architectural character and changing streetscape across previous centuries.

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Colour Print

Colour Print

Image 11 July 2026

This variation of a colour print depicts Adare Manor beside the River Maigue in Adare, County Limerick. The imposing Gothic Revival residence is shown within landscaped grounds, reflected in the calm water and framed by mature trees. Often described as a calendar house, the manor is associated with 365 windows and 52 chimneys, representing the days and weeks of the year. Published in Francis Orpen Morris’s A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, the image celebrates the architecture, setting, and aristocratic character of one of County Limerick’s most recognisable historic…

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Books Supporting the Archive

Profits from every book help fund the continuing preservation, restoration and free public sharing of Limerick’s history.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

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Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

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Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

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Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

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Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

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Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

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Limerick Generations

1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

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Cover of Limerick Generations: 1910 to 1919

Limerick Generations

1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

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Gerard J. Hannan

Books By Gerard J. Hannan

Explore Gerard J. Hannan’s published and forthcoming books, spanning historical fiction, Limerick humour, family sagas and detailed studies of local and modern Irish history. Each title offers a distinctive story, subject or perspective, reflecting his interest in people, memory, identity, conflict and social change. From comic observations rooted in Limerick life to ambitious novels shaped by major historical events, the collection presents a varied and expanding body of work. Every book is accompanied by its cover, full description and publication details, with a direct Amazon link included wherever an edition is currently available for readers to purchase or discover more.

Ashes book cover

Book 1 of 23

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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