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Contribute

Contribute

How photographs, documents, memories, identifications and local knowledge can be contributed to Limerick Archives.

Limerick Archives invites people to contribute photographs, documents, letters, newspaper cuttings, programmes, postcards, family histories, memories and local knowledge connected with Limerick city or county. Material held in private homes can preserve people, places and experiences that never entered official collections. A single family photograph may identify a vanished business, document a neighbourhood or reconnect relatives with their past. Contributions help broaden the archive beyond public institutions and published histories. They are assessed for relevance, ownership, privacy, quality and historical value. Submission does not guarantee publication, but every appropriate contribution can strengthen the shared record of Limerick community life today.

Before submitting material, contributors should identify what they are providing and explain how it relates to Limerick. Useful details include names of people shown, location, approximate date, occasion, photographer, owner and the story of how the item survived. Even partial information is valuable when uncertainty is stated honestly. A clear file name and short description help prevent photographs from becoming separated from their context. Contributors should distinguish facts known from documents, details remembered personally and stories passed through family tradition. This information allows Limerick Archives to catalogue material responsibly and gives future visitors a better chance of understanding its significance.

Digital copies should be as clear and complete as practical. Photographs can be scanned at good resolution without cropping edges, handwritten notes, mounts or captions that may contain evidence. Documents should include every relevant page and remain readable when enlarged. Mobile phone photographs can be useful when scanning is unavailable, provided the image is evenly lit, straight and free from glare. Contributors should not apply heavy filters, colourisation or automatic enhancement before submission because these can hide original detail. Limerick Archives may prepare a separate restored version while preserving the supplied source copy and recording any known physical condition carefully.

Contributors must have authority to share the material. Owning a physical print does not always mean owning copyright in the photograph, which may remain with the photographer, employer, newspaper or another rights holder. The archive asks contributors to disclose known creators, previous publication and any restrictions. Submission normally gives Limerick Archives permission to assess, preserve and publish the material as agreed, but copyright does not automatically transfer. A separate written agreement is required if ownership is being assigned. Clear rights information protects contributors, the archive and future users, while reducing the risk that valuable material must be restricted or removed.

Privacy should be considered when material shows living people, private correspondence, medical information, family conflict, children or sensitive events. Historical value does not remove every privacy concern. Contributors should mention anything that may require limited access, redaction, delayed publication or consultation with another person. Limerick Archives will consider age, context, consent, public interest and possible harm before deciding how material can be presented. In some cases, a description may be published without the original document, or names may be withheld. Responsible contribution protects individuals while allowing important evidence to be preserved for future historical understanding, research and education everywhere online.

Personal memories are welcome because they record experiences often absent from newspapers and official documents. Contributors may describe childhood, work, migration, education, sport, entertainment, neighbourhood life, businesses, public events or family traditions. A memory should be presented in the contributor’s own voice and identified as recollection where documentary confirmation is unavailable. Dates and names can be approximate when clearly labelled. Limerick Archives may edit for clarity, length or privacy while preserving the meaning of the account. Supporting photographs or documents are useful but not essential. Honest personal testimony adds human depth and allows readers to understand how Limerick was experienced.

Corrections and identifications are also valuable contributions. A visitor may recognise a person, street, shop, team, school or event shown in an existing archive item. The submission should include the item title or archive reference, the proposed information and an explanation of how it is known. Family relationships, comparison photographs, directories, newspaper reports and written labels can support the identification. Limerick Archives reviews corrections carefully and may use provisional wording when evidence is persuasive but incomplete. One accurate name can reconnect an image with an entire family history, while a corrected location can link several photographs into a meaningful collection.

Limerick Archives may decline material that is unrelated to Limerick, technically unusable, unlawfully obtained, defamatory, excessively private, dangerous to publish or unsupported by necessary permission. Duplicate material may also be declined when a stronger copy already exists, although additional captions or provenance can still be useful. A decision not to publish does not necessarily mean the item lacks personal value. The archive has limited resources and must balance preservation priorities, legal responsibilities and public usefulness. Contributors should retain their original files and physical objects because submission does not make Limerick Archives the permanent custodian of the original historical material safely.

When material is accepted, Limerick Archives may create catalogue records, descriptions, tags, archive references and restored copies. The contribution can appear within image collections, articles, research pages or social media promotion connected with the archive. Credits will reflect the information agreed with the contributor and may identify a family, collection, donor, photographer or source. Contact details are not normally published. Records can be corrected later if better information appears. The archive may also connect related items from different contributors, allowing separate family collections to reveal a wider history of a street, workplace, club, event, neighbourhood or community across modern Limerick.

Contributing to Limerick Archives is a practical way to protect local history and make it available beyond one household or generation. Material that seems ordinary today may become important evidence of buildings, customs, businesses, clothing, transport and relationships in the future. The archive values careful information as much as visual quality because names, dates and stories give objects meaning. Contributors help ensure that Limerick’s history reflects many communities rather than only official institutions. Through responsible sharing, families and residents become partners in preservation, allowing their knowledge to support research, education and remembrance for people throughout Limerick and around the world.

About Page

Books Supporting the Archive

Every Book Purchased Helps Support The Continuing Work Of Limerick Archives.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

Cover of Limerick Generations: 1900 to 1909

Limerick Generations: 1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

Cover of Limerick Generations: 1910 to 1919

Limerick Generations: 1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

Restoring History

Limerick Archives preserves, enhances, restores and colourises historic photographs, sometimes presenting fresh angles on familiar scenes. When no suitable public-domain image exists, we create carefully researched AI illustrations for archive articles. We also invite the public to submit photographs for restoration and possible publication, with ownership always remaining entirely theirs.