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Corrections

Corrections

How visitors can correct names, dates, locations, credits and other information within Limerick Archives.

Limerick Archives welcomes corrections because historical records improve when people share knowledge. A photograph may contain an unidentified person, a street may be named incorrectly or a date may have been estimated from incomplete evidence. Visitors often recognise details that were unavailable when an item was first published. Reporting an error does not criticise the purpose of the archive; it contributes to it. Corrections help reconnect records with families, communities and places. The archive reviews each submission carefully, updates information when justified and records uncertainty when evidence conflicts. This process strengthens the collection, preserving valuable knowledge that might otherwise disappear.

A correction should identify the exact item involved. Visitors are asked to provide the page title, image title or archive reference, together with an explanation of what appears wrong. A direct link is useful because similar photographs and titles can exist within the collection. The proposed replacement information should be stated precisely, including correct spelling, dates, locations or relationships. General messages such as that name is wrong are difficult to investigate without additional detail. Clear references allow Limerick Archives to locate the record quickly, compare the existing description and begin checking the evidence behind the suggested change fairly and accurately.

Supporting evidence makes a correction more useful and easier to verify. Helpful sources may include family photographs, birth or marriage records, newspaper reports, directories, maps, school records, letters, inscriptions, published books or information from a recognised institution. A contributor can also explain personal knowledge, such as how the image was preserved or why a person is recognised. Evidence does not need to be formal in every case, but its origin should be described honestly. Limerick Archives compares the new information with existing records and may ask follow up questions. Strong evidence can correct one item and illuminate several related records.

Family and community knowledge is especially valuable for identifying people. Formal archives often preserve a photograph without recording every person shown, while relatives may recognise faces, clothing, workplaces or relationships immediately. When submitting a name, visitors should explain whether the identification comes from direct memory, family tradition, a written label or comparison with another photograph. Approximate ages and relationships can help confirm the conclusion. Limerick Archives may use provisional wording when evidence is persuasive but not conclusive. This approach respects the contribution without turning an uncertain recollection into a permanent statement of fact before careful further research is fully completed.

Dates can be corrected through evidence or visual clues. A newspaper may report the event shown, a directory may confirm when a business operated or a family record may identify the occasion. Clothing, vehicles, buildings and street layouts can also establish an approximate period. Visitors should explain why the proposed date is stronger than the published one. If evidence supports only a range or decade, the archive may retain an approximate description rather than choosing an exact year. Correct dating connects items with historical events and prevents errors from spreading into family histories, publications and websites that reuse archive information.

Location corrections can transform the value of a photograph. Streets may have changed names, buildings may have disappeared and rural townlands can be confused with nearby places. A visitor may recognise a shopfront, church, bridge, landscape or property boundary that establishes the scene. Maps, directories, planning records and comparison photographs can provide further confirmation. Limerick Archives records city, county, street or townland information at the strongest level supported by evidence. When two locations remain possible, both may be noted until the question is resolved. Accurate geography allows researchers to connect people, businesses and events with the physical development of Limerick.

Not every submitted correction can be accepted immediately. Two families may identify the same person differently, published sources may conflict or a memory may be sincere but unsupported. Limerick Archives reviews the available evidence and may retain the existing description, add a note, seek information or mark the identification as uncertain. A rejected suggestion is not a judgement upon the contributor. It means the record requires stronger support before being changed. Where disagreement remains historically important, the archive may explain competing accounts. Transparent uncertainty is more responsible than selecting one version simply because it was submitted first or confidently stated.

Accepted corrections may require changes beyond a single page. A corrected surname, location or date can affect related photographs, articles, tags, search results and catalogue records. Limerick Archives may therefore review connected items to keep information consistent. The original source or earlier description may still be preserved internally, especially when it explains how the mistake arose. Updates can take time because the archive is independent and each change must be checked. Visitors are encouraged to provide complete information in one message where possible. A thoughtful correction improves not only one item, but the wider network of historical records around it.

Corrections involving copyright, privacy or sensitive personal information receive particular attention. A person may believe that an image has been credited to the wrong photographer, published without proper authority or described in a harmful way. The report should identify the material, explain the concern and provide evidence of ownership, identity or relevant circumstances. Limerick Archives may temporarily restrict an item while the issue is reviewed. Possible outcomes include changing a credit, redacting information, adding context, limiting reuse or removing material. The archive seeks a proportionate response that respects legal rights, historical value, public interest and the dignity of people represented.

The corrections process reflects the central purpose of Limerick Archives: preserving history as accurately and openly as possible. The archive does not regard its descriptions as beyond challenge or improvement. Every well supported name, date, location and source adds meaning to the collection. Visitors who share knowledge become participants in protecting Limerick’s historical record. Corrections should be submitted respectfully through the Contact page, with clear references and evidence where available. Replies may not be immediate, but each useful submission will be considered. Through continuing research and community cooperation, the archive can become more complete, reliable and valuable for future generations.

About Page

Books Supporting the Archive

Every Book Purchased Helps Support The Continuing Work Of Limerick Archives.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

Cover of Limerick Generations: 1900 to 1909

Limerick Generations: 1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

Cover of Limerick Generations: 1910 to 1919

Limerick Generations: 1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

Restoring History

Limerick Archives preserves, enhances, restores and colourises historic photographs, sometimes presenting fresh angles on familiar scenes. When no suitable public-domain image exists, we create carefully researched AI illustrations for archive articles. We also invite the public to submit photographs for restoration and possible publication, with ownership always remaining entirely theirs.