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Privacy

Privacy

How Limerick Archives handles visitor information, forms, cookies, contributions and privacy concerns.

Limerick Archives respects the privacy of visitors and seeks to collect only the information needed to operate the website, answer enquiries, receive contributions and protect its systems. Most public pages can be viewed without creating an account or providing a name. Basic technical information may be processed automatically when somebody visits, including an internet address, browser type, device information, requested pages and security data. This information helps deliver pages, diagnose faults and prevent misuse. It should not be used to build unnecessary personal profiles. The archive aims to explain its practices clearly and keep them proportionate to its historical purpose.

Cookies are small files or identifiers that websites may place on a visitor’s device. Limerick Archives may use essential cookies required for security, navigation, preferences or requested functions. Optional analytics, advertising or embedded services should not operate without the consent required by applicable law. A consent tool may allow visitors to accept, reject or change optional choices. Blocking some cookies can affect features supplied by outside services, but the core historical content should remain accessible wherever practical. The cookie information presented on the website must be reviewed whenever plugins, analytics tools or embedded media services are added, removed or changed.

Contact forms may collect a visitor’s name, email address, subject and message so Limerick Archives can understand and answer the enquiry. The information should be used only for the purpose connected with the message, such as a correction, copyright concern, accessibility problem, research question or proposed contribution. Visitors should avoid sending passwords, financial details or unrelated sensitive information. Messages may be retained for a reasonable period when they document permissions, corrections or important archive decisions. Routine enquiries can be deleted when no longer needed. Access to submitted information should be limited to those responsible for managing the digital archive responsibly.

Contribution forms can involve more information because historical material may require ownership, provenance, identification and permission details. A contributor may provide a name, contact address, family relationship, description of the material, names of people shown and information about copyright. Limerick Archives uses these details to assess whether the material can be preserved and published responsibly. Some contributor information may need to remain on record to document permission or answer later rights questions. Personal contact details should not be published unless the contributor has agreed or there is another lawful reason. Public credits can be discussed separately from private administrative records.

Historical photographs and documents can themselves contain personal information. Older material may show living people, private homes, family circumstances, sensitive events or records that were never intended for broad publication. Limerick Archives considers historical value, age, context, public availability, privacy expectations and possible harm before publishing sensitive material. Not every objection will require removal, because archives also serve legitimate historical and public interests. However, concerns should be examined respectfully and proportionately. An image may be restricted, redacted, described differently or removed when justified. Anyone raising a privacy concern should identify the relevant item and explain the specific privacy issue clearly.

Email correspondence with Limerick Archives is used to manage the conversation and any resulting archive work. Messages may contain useful historical details, permissions, corrections or source information that need to be preserved with internal records. They should not be added to mailing lists or shared for unrelated marketing without permission. Email is not always a secure channel, so visitors should send only information appropriate for ordinary electronic communication. When a message includes attachments, the files may be checked for security and assessed for archival relevance. Unsolicited material that creates technical, legal or privacy risks may be deleted safely without publication.

Outside services can process information when visitors watch embedded videos, view maps, use social media features or follow links away from Limerick Archives. Those services operate under their own privacy policies and may use cookies or tracking technologies. The archive should limit unnecessary embeds and provide consent controls where required, but it cannot control what happens after a visitor leaves the website. Links do not mean that Limerick Archives endorses every privacy practice of the destination. Visitors should review outside policies when using external platforms. Where practical, direct links or privacy friendly presentation should be preferred over intrusive embedded content.

Reasonable security measures are used to protect the website and submitted information from unauthorised access, alteration, loss or misuse. These measures can include software updates, access controls, backups, security monitoring and limits on administrative permissions. No website or email system can guarantee absolute security, particularly when information travels across the internet. Limerick Archives therefore aims to minimise the personal information it holds and retain it only as long as there is a practical, historical or legal reason. Security incidents affecting personal information should be assessed promptly and responsibly, with action taken according to the nature and seriousness of the risk.

Visitors may ask what personal information they have submitted, request correction of inaccurate details or seek deletion where appropriate. Some information cannot be removed immediately if it is needed to document a publication permission, copyright agreement, correction history or legal obligation. Historical records may also remain available when publication serves a legitimate archival or public interest. Each request should be considered in context rather than answered automatically. The person making the request may need to provide enough information to confirm identity and locate the relevant record. Limerick Archives will aim to respond fairly, securely and within applicable data protection requirements.

The privacy information on Limerick Archives must reflect what the website actually does. It should be updated when contact forms, analytics, newsletters, payment facilities, embedded content, security tools or hosting arrangements change. A copied policy that describes services not used by the archive would confuse visitors, while an outdated policy could omit important processing. The project therefore treats privacy documentation as part of responsible website maintenance. Questions or concerns can be submitted through the Contact page. The continuing objective is to protect visitors and contributors while collecting only the information necessary to preserve, explain and share Limerick’s history effectively online.

About Page

Books Supporting the Archive

Every Book Purchased Helps Support The Continuing Work Of Limerick Archives.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

Cover of Limerick Generations: 1900 to 1909

Limerick Generations: 1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

Cover of Limerick Generations: 1910 to 1919

Limerick Generations: 1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

Restoring History

Limerick Archives preserves, enhances, restores and colourises historic photographs, sometimes presenting fresh angles on familiar scenes. When no suitable public-domain image exists, we create carefully researched AI illustrations for archive articles. We also invite the public to submit photographs for restoration and possible publication, with ownership always remaining entirely theirs.