16 July 2026
Mathew Bridge
Mathew Bridge, completed between 1844 and 1846, forms an important crossing over the Abbey River in Limerick City. Designed by William Henshaw Owen, the triple-span ashlar limestone structure features segmental arches, rounded breakwaters and a broad flat roadway. It linked Rutland Street and Bank Place with Bridge Street and Merchant’s Quay, connecting the Georgian commercial quarter of Newtown Pery with medieval Englishtown. The bridge replaced the inadequate New Bridge of 1762 and accommodated the city’s growing Victorian traffic. Named for Father Theobald Mathew, the celebrated temperance reformer, it remains a notable example of nineteenth-century Irish civic engineering and urban development.
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Mountshannon House
Mountshannon House, near Castleconnell in County Limerick, was one of Ireland’s grandest eighteenth-century mansions. Built around 1750, it later gained a monumental Ionic portico during an 1813 remodelling by architect Lewis Wyatt. Tradition claimed the house contained 365 windows, while its vast entrance hall could accommodate a horse-drawn carriage. Surrounded by a 900-acre demesne between the River Shannon and Mulkear River, its celebrated gardens were designed by John Sutherland. Home to the powerful FitzGibbon family, including John “Black Jack” FitzGibbon, 1st Earl of Clare, the mansion became a renowned centre of political influence, hospitality, wealth, political power, and aristocratic life.
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Limerick Stone
This February 1937 photograph shows a weathered stone cottage in Limerick, with children gathered at its doorway and along the narrow street outside. The rough masonry, patched walls, boarded upper windows and low, sloping roof reveal the building’s age and modest condition. Electrical wires cross above the house, suggesting the gradual arrival of modern services within an older urban landscape. The children’s presence brings warmth and life to the scene, contrasting with the severe exterior and surrounding ruins. The image provides a valuable record of working-class housing, childhood and community life in pre-war Limerick during a period of social change.
View Image9 July 2026
Marys Church
St Mary’s Church stands on Athlunkard Street in Limerick, occupying a site associated with Catholic worship since the eighteenth century. The present church opened in 1932, replacing an earlier chapel where Mass was first celebrated on December 10, 1749. Designed by Ashlin and Coleman of Dublin, the building reflects the scale and ambition of parish church architecture in early twentieth-century Limerick. Its tower, façade, railings and street setting mark an important local landmark, while the surviving holy water font from the former chapel links the modern church with the long religious history of St Mary’s parish community today.
View Image31 July 2026
ODwyer Bridge
This rare 1932 photograph shows the newly completed Bishop O’Dwyer Bridge linking Limerick city with Corbally. Constructed between 1929 and 1931 at a cost of £21,308, the concrete structure replaced the older Park Bridge, which had served the district since 1798. It was named in honour of Dr Edward Thomas O’Dwyer, Bishop of Limerick from 1886 to 1917. The bridge represented a new era of engineering, transport and urban development, while maintaining a crossing essential to local life for generations. Nearly a century later, it remains a familiar landmark, practical route and enduring part of Limerick’s architectural and social history.
View Image10 July 2026
Pery Square
Around 1900, Pery Square presented one of Limerick’s most elegant urban settings, facing the newly opened People’s Park and framed by distinctive Georgian terraces. The celebrated Tontine Buildings, built between 1835 and 1838 as a speculative venture, gave the square a story as unusual as its architecture. Their shares, tied to named lives in the so-called Life and Death Lottery, were still gaining value as horse-drawn traffic, pedestrians, gas lamps, and civic buildings animated the street. The tontine was finally won in 1913 by Sophia Vanderkiste, closing a remarkable chapter in Limerick’s local social and architectural history.
View Image13 July 2026
Limerick Stone
This February 1937 photograph shows a weathered stone cottage in Limerick, with children gathered at its doorway and along the narrow street outside. The rough masonry, patched walls, boarded upper windows and low, sloping roof reveal the building’s age and modest condition. Electrical wires cross above the house, suggesting the gradual arrival of modern services within an older urban landscape. The children’s presence brings warmth and life to the scene, contrasting with the severe exterior and surrounding ruins. The image provides a valuable record of working-class housing, childhood and community life in pre-war Limerick during a period of social change.
View Image14 July 2026
Grange House
This reconstructed scene evokes the life of a prosperous Georgian country estate around the turn of the nineteenth century. The imposing house, formal gardens and gravel approach reflect the architectural taste and social order of the period. Elegantly dressed visitors, household servants, gardeners and horse-drawn carriages suggest activity surrounding such residences, where family life, hospitality and estate management met. Although idealised, the image offers a vivid historical impression of how the property may once have appeared when newly built, occupied and maintained, before decline altered its character and left only fragments of its former grandeur for future generations to study.
View Image16 July 2026
Shortest Street
Quinlan Street is one of the shortest principal streets in Limerick City, measuring approximately eighty-five feet at its centre. Located within the historic Georgian Quarter, it forms an important connection between the Crescent, at the southern end of O’Connell Street, and O’Connell Avenue. Developed between the 1820s and 1840s, the street is lined with distinctive multi-storey red-brick Georgian townhouses built over basements. Its unusual layout means that one side is longer than the other. The street was named after Thomas Quinlan, the builder responsible for the original houses at numbers 1 and 2, preserving his contribution to Limerick’s urban development.
View Image16 July 2026
Mary Street
Dutch Billy houses were once a distinctive feature of Limerick’s Englishtown and Irishtown districts. Characterised by narrow brick façades, steeply pitched gables and tall windows, the style developed in Irish towns during the late seventeenth and early eighteenth centuries. Many examples survived along Mary Street into the early twentieth century, preserving the appearance of Limerick’s merchant quarters. Their name is traditionally associated with King William III, although the term was applied broadly to gabled urban houses of the period. By around 1900, these buildings stood as reminders of the city’s commercial growth, architectural character and changing streetscape across previous centuries.
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