13 July 2026
George Street
George Street, now O’Connell Street, formed the bustling commercial and social heart of Limerick around 1900. Elegant Georgian and Victorian façades lined the thoroughfare, their ornate shopfronts illuminated by gaslight and filled with goods for local shoppers. Horse-drawn carriages, jaunting cars and merchant carts crowded the roadway, while pedestrians in heavy coats and hats moved between businesses and hotels. The grand Cruises Royal Hotel stood among the street’s most prominent landmarks, welcoming merchants, travellers and visitors. This scene reflects the energy of late-Victorian Limerick before motor traffic transformed the city’s principal shopping street and historic urban centre during a changing…
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JohnS Castle
King John’s Castle stands beside the River Shannon at Curragower Falls, with broken water, river rocks and the castle’s stone frontage visible across the scene. The round towers, curtain walls and riverside defences remain central, while the burned Castle Barracks appears roofless and blackened within the enclosure. Thomond Bridge is visible to the left, with nearby trees, older buildings and a church tower rising beyond the castle walls. The river surface shows ripples, reflections and shallow movement below the fortifications. The image presents the castle after damage, set within the wider early twentieth century Limerick urban riverside landscape after 1922.
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Treaty Stone
AI-assisted archival reconstruction showing the Treaty Stone on Thomond Bridge, Limerick, with the riverside castle buildings and historic bridge approach in the background. The scene presents the monument, cobbled roadway, bridge parapet, pedestrians, and horse-drawn traffic in a restored early twentieth-century setting, preserving the atmosphere of the original historical source image.
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RyanS Garage
This early photograph captures Dan Ryan’s Garage at Punch’s Cross, Limerick, during the 1940s. The premises stood at an important junction serving motorists, cyclists and local residents as traffic through the area steadily increased. Its pumps, workshop and roadside position reflect the growing importance of motor transport in mid-twentieth-century Limerick. The image also preserves the appearance of Punch’s Cross before later development transformed the surrounding streetscape. Beyond its commercial role, the garage became a familiar local landmark and meeting point. Today, the photograph offers a valuable glimpse of everyday business, transport and community life in wartime and post-war Limerick city.
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OConnell Street
This 1937 view of O’Connell Street, historically known as George’s Street, captures Limerick’s principal commercial thoroughfare during a period of urban transition. Georgian façades, prominent shopfronts and the landmark clock tower frame a busy scene of pedestrians, cyclists, motorcars and public transport. Heavy coats and formal dress reflect everyday life before the Second World War, while traditional businesses line both sides of the street. Several buildings and upper storeys shown here were later altered or demolished during redevelopment. Despite extensive modernisation and pedestrianisation, O’Connell Street remains central to Limerick’s commercial, architectural and social identity within the changing modern city today.
View Image3 August 2026
Landscape Jpeg
Tom O’Donnell and Paschal O’Grady, Limerick’s celebrated comedy duo, are pictured visiting Westport House in October 1967. Known simply as Tom and Paschal, they entertained Irish audiences nationwide for nearly five decades with sharp humour, memorable characters and remarkable stage chemistry. In 1961, they became the first comedy act to appear on Telefís Éireann’s opening-night broadcast. Their popular “Cashy and Noni” routines and annual Christmas Crackers revues made them beloved local favourites. Beyond entertainment, they toured towns and villages raising funds for schools, GAA clubs and churches, leaving an enduring legacy of laughter, generosity and affection throughout Limerick and beyond.
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Says Croker
Built in 1774 for John Croker, Ballynagarde House near Ballyneety was once among County Limerick’s grand Georgian residences. The five-bay mansion stood over a raised basement, with a central breakfront, cut limestone detailing, extensive outbuildings, walled gardens and classical statues. Raised on the site of an earlier stronghold, it remained the Croker family seat for generations. Financial mismanagement during the late nineteenth century began its decline, and the estate was divided by the Land Commission in the 1930s. Now ruined, the house survives in local folklore through tales of “Doubt It Hall” and a mysterious visitor allegedly possessing cloven hooves.
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ODwyer Bridge
This rare 1932 photograph shows the newly completed Bishop O’Dwyer Bridge linking Limerick city with Corbally. Constructed between 1929 and 1931 at a cost of £21,308, the concrete structure replaced the older Park Bridge, which had served the district since 1798. It was named in honour of Dr Edward Thomas O’Dwyer, Bishop of Limerick from 1886 to 1917. The bridge represented a new era of engineering, transport and urban development, while maintaining a crossing essential to local life for generations. Nearly a century later, it remains a familiar landmark, practical route and enduring part of Limerick’s architectural and social history.
View Image16 July 2026
Castle Time
Castlegarde Castle, near Cappamore in County Limerick, is regarded as Ireland’s oldest continuously inhabited castle. Established by the O’Brien family around 1190, its five-storey medieval tower rises from a limestone outcrop, strengthening its defensive position. Original features include an internal well and a murder hole above the entrance passage. In 1820, Waller O’Grady commissioned architects James and George Pain to add a castellated Gothic extension, harmonised with the ancient keep. A carved head of Brian Boru overlooks the entrance, while three unusual stone figures representing Bacchus, Pallas Athene and Aphrodite survive within the gatehouse. Today, it remains a private residence.
View Image11 July 2026
Colour Print
This variation of a colour print depicts Adare Manor beside the River Maigue in Adare, County Limerick. The imposing Gothic Revival residence is shown within landscaped grounds, reflected in the calm water and framed by mature trees. Often described as a calendar house, the manor is associated with 365 windows and 52 chimneys, representing the days and weeks of the year. Published in Francis Orpen Morris’s A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, the image celebrates the architecture, setting, and aristocratic character of one of County Limerick’s most recognisable historic…
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