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Archive Records

Treaty Stone

Treaty Stone

Image 9 July 2026

AI-assisted archival reconstruction showing the Treaty Stone on Thomond Bridge, Limerick, with the riverside castle buildings and historic bridge approach in the background. The scene presents the monument, cobbled roadway, bridge parapet, pedestrians, and horse-drawn traffic in a restored early twentieth-century setting, preserving the atmosphere of the original historical source image.

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Castle Time

Castle Time

Image 16 July 2026

Castlegarde Castle, near Cappamore in County Limerick, is regarded as Ireland’s oldest continuously inhabited castle. Established by the O’Brien family around 1190, its five-storey medieval tower rises from a limestone outcrop, strengthening its defensive position. Original features include an internal well and a murder hole above the entrance passage. In 1820, Waller O’Grady commissioned architects James and George Pain to add a castellated Gothic extension, harmonised with the ancient keep. A carved head of Brian Boru overlooks the entrance, while three unusual stone figures representing Bacchus, Pallas Athene and Aphrodite survive within the gatehouse. Today, it remains a private residence.

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Castle Restored

Castle Restored

Image 16 July 2026

Glenduff Castle is shown restored to its former splendour, standing proudly amid landscaped gardens in rural County Limerick. Built around 1840 for the Ievers family, the castellated country house incorporated an earlier tower house dating from about 1600. Its battlements, flanking towers, arched entrance and long stone façade created a striking Gothic Revival residence. The scene imagines the estate before its destruction, with residents, visitors and a horse-drawn carriage bringing the grounds to life. Glenduff Castle was burned during the Irish Civil War on 29 June 1922, leaving the picturesque ivy-covered ruin that survives on private farmland near Broadford today.

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Treaty Stone

Treaty Stone

Image 9 July 2026

AI-assisted archival reconstruction showing the Treaty Stone on Thomond Bridge, Limerick, with the riverside castle buildings and historic bridge approach in the background. The scene presents the monument, cobbled roadway, bridge parapet, pedestrians, and horse-drawn traffic in a restored early twentieth-century setting, preserving the atmosphere of the original historical source image.

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O’Connell Street

O’Connell Street

Image 13 July 2026

This 1937 view of O’Connell Street, historically known as George’s Street, captures Limerick’s principal commercial thoroughfare during a period of urban transition. Georgian façades, prominent shopfronts and the landmark clock tower frame a busy scene of pedestrians, cyclists, motorcars and public transport. Heavy coats and formal dress reflect everyday life before the Second World War, while traditional businesses line both sides of the street. Several buildings and upper storeys shown here were later altered or demolished during redevelopment. Despite extensive modernisation and pedestrianisation, O’Connell Street remains central to Limerick’s commercial, architectural and social identity within the changing modern city today.

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Fenton Limerick

Fenton Limerick

Image 31 July 2026

Ewan Fenton arrived in Limerick as player-manager of Limerick F.C. and quickly became one of the most influential figures in the club’s history. His leadership, skill and tactical understanding transformed the team and captured the imagination of the entire city. During his years at the club, thousands of supporters regularly packed the Market’s Field, creating an atmosphere remembered with enormous affection by generations of local football followers. Fenton’s contribution extended far beyond results on the pitch, strengthening the connection between the team and its community. His name remains closely associated with a proud and unforgettable period in Limerick football history.

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John’S Castle

John’S Castle

Image 9 July 2026

King John’s Castle stands beside the River Shannon at Curragower Falls, with broken water, river rocks and the castle’s stone frontage visible across the scene. The round towers, curtain walls and riverside defences remain central, while the burned Castle Barracks appears roofless and blackened within the enclosure. Thomond Bridge is visible to the left, with nearby trees, older buildings and a church tower rising beyond the castle walls. The river surface shows ripples, reflections and shallow movement below the fortifications. The image presents the castle after damage, set within the wider early twentieth century Limerick urban riverside landscape after 1922.

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Police Cabin

Police Cabin

Image 12 July 2026

Around 1880, the interior of a police cabin at Gurranmore, near Pallas in County Limerick, reveals the modest conditions in which rural constables lived and worked. The small room is sparsely furnished, with simple wooden fittings, basic household utensils and few comforts. Uniformed officers occupy the cramped space, suggesting that the cabin served as both workplace and living quarters. Published in The Graphic in 1880, the image offers a rare glimpse of everyday policing in nineteenth-century Ireland. It preserves not only the appearance of the station, but also the disciplined, isolated life experienced by men posted in rural communities nearby.

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Mary’S Church

Mary’S Church

Image 9 July 2026

St Mary’s Church stands on Athlunkard Street in Limerick, occupying a site associated with Catholic worship since the eighteenth century. The present church opened in 1932, replacing an earlier chapel where Mass was first celebrated on December 10, 1749. Designed by Ashlin and Coleman of Dublin, the building reflects the scale and ambition of parish church architecture in early twentieth-century Limerick. Its tower, façade, railings and street setting mark an important local landmark, while the surviving holy water font from the former chapel links the modern church with the long religious history of St Mary’s parish community today.

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Cottages Adare

Cottages Adare

Image 12 July 2026

In July 1981, a row of traditional thatched cottages lends Adare its distinctive old-world character. Whitewashed walls, steep straw roofs and small windows line the roadside, reflecting a style once common throughout rural Ireland. The cottages appear carefully maintained, their simple façades softened by flowers, hedges and mature trees. Passing traffic and summer light place the scene firmly in everyday village life rather than a staged historical setting. The image preserves a familiar view of Adare at a time when its architectural heritage was becoming central to the village’s identity and appeal for visitors to County Limerick and beyond worldwide.

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Books Supporting the Archive

Profits from every book help fund the continuing preservation, restoration and free public sharing of Limerick’s history.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

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Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

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Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

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Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

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Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

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Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

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Cover of Limerick Generations: 1900 to 1909

Limerick Generations

1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

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Cover of Limerick Generations: 1910 to 1919

Limerick Generations

1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

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