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Archive Records

Mary’S Cathedral

Mary’S Cathedral

Image 10 July 2026

AI-assisted archival reconstruction showing St Mary’s Cathedral, Limerick, viewed from the surrounding garden grounds. The image presents the cathedral tower, Gothic windows, mature trees, planted walks, benches, and landscaped foreground in a restored historical setting, preserving the atmosphere of the original source photograph while removing modern watermarking and visual damage.

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La Jpeg

La Jpeg

Image 3 August 2026

Tom O’Donnell and Paschal O’Grady, Limerick’s celebrated comedy duo, are pictured visiting Westport House in October 1967. Known simply as Tom and Paschal, they entertained Irish audiences nationwide for nearly five decades with sharp humour, memorable characters and remarkable stage chemistry. In 1961, they became the first comedy act to appear on Telefís Éireann’s opening-night broadcast. Their popular “Cashy and Noni” routines and annual Christmas Crackers revues made them beloved local favourites. Beyond entertainment, they toured towns and villages raising funds for schools, GAA clubs and churches, leaving an enduring legacy of laughter, generosity and affection throughout Limerick and beyond.

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Treaty Childhood

Treaty Childhood

Image 3 August 2026

During the 1940s, children gathered around the Treaty Stone, transforming one of Limerick’s most historic landmarks into an informal playground. Perched above the River Shannon near Thomond Bridge, the stone was already deeply associated with the signing of the Treaty of Limerick in 1691. For local youngsters, however, it was also part of their everyday neighbourhood, a familiar place for games, conversation and adventure. Their presence captures a gentler side of city life during a difficult decade, showing how history and childhood naturally shared the same streets. The scene preserves a lively memory of community life beside the Shannon waterfront.

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George Street

George Street

Image 13 July 2026

George Street, now O’Connell Street, formed the bustling commercial and social heart of Limerick around 1900. Elegant Georgian and Victorian façades lined the thoroughfare, their ornate shopfronts illuminated by gaslight and filled with goods for local shoppers. Horse-drawn carriages, jaunting cars and merchant carts crowded the roadway, while pedestrians in heavy coats and hats moved between businesses and hotels. The grand Cruises Royal Hotel stood among the street’s most prominent landmarks, welcoming merchants, travellers and visitors. This scene reflects the energy of late-Victorian Limerick before motor traffic transformed the city’s principal shopping street and historic urban centre during a changing…

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Castle Restored

Castle Restored

Image 16 July 2026

Glenduff Castle is shown restored to its former splendour, standing proudly amid landscaped gardens in rural County Limerick. Built around 1840 for the Ievers family, the castellated country house incorporated an earlier tower house dating from about 1600. Its battlements, flanking towers, arched entrance and long stone façade created a striking Gothic Revival residence. The scene imagines the estate before its destruction, with residents, visitors and a horse-drawn carriage bringing the grounds to life. Glenduff Castle was burned during the Irish Civil War on 29 June 1922, leaving the picturesque ivy-covered ruin that survives on private farmland near Broadford today.

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Gate Kilmallock

Gate Kilmallock

Image 16 July 2026

Blossom Gate is the last surviving medieval gateway of Kilmallock, County Limerick, once one of Ireland’s most strongly fortified towns. Originally one of five entrances through the defensive walls, it alone remains; St John’s, Water, Ivy and Friary gates have disappeared. Standing on Emmet Street, the three-storey stone tower spans the roadway above a pointed arched vault, marking where the town walls formerly joined it. The name may derive from “Blae Gate” or from the Irish word blá, meaning flower or blossom, combined with the French porte, meaning gate. Today, it is a prominent reminder of Kilmallock’s medieval importance and…

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House Splendour

House Splendour

Image 16 July 2026

Mountshannon House, near Castleconnell in County Limerick, was one of Ireland’s grandest eighteenth-century mansions. Built around 1750, it later gained a monumental Ionic portico during an 1813 remodelling by architect Lewis Wyatt. Tradition claimed the house contained 365 windows, while its vast entrance hall could accommodate a horse-drawn carriage. Surrounded by a 900-acre demesne between the River Shannon and Mulkear River, its celebrated gardens were designed by John Sutherland. Home to the powerful FitzGibbon family, including John “Black Jack” FitzGibbon, 1st Earl of Clare, the mansion became a renowned centre of political influence, hospitality, wealth, political power, and aristocratic life.

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Vanished Junction

Vanished Junction

Image 5 August 2026

This 1975 view captures the junction of Lower Henry Street and Sarsfield Street before the creation of Liddy Street transformed the surrounding cityscape. The photograph preserves a moment when traffic, shopfronts and older buildings still defined this busy corner of central Limerick. Lower Henry Street connected the commercial heart of the city with the Shannon quays, while Sarsfield Street formed an important route towards Sarsfield Bridge. The later development of Liddy Street altered movement through the area and removed part of the earlier streetscape. Today, the image offers a valuable record of a vanished junction and changing daily urban life.

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Suits Jpeg

Suits Jpeg

Image 3 August 2026

Tom O’Donnell and Paschal O’Grady, Limerick’s celebrated comedy duo, are pictured visiting Westport House in October 1967. Known simply as Tom and Paschal, they entertained Irish audiences nationwide for nearly five decades with sharp humour, memorable characters and remarkable stage chemistry. In 1961, they became the first comedy act to appear on Telefís Éireann’s opening-night broadcast. Their popular “Cashy and Noni” routines and annual Christmas Crackers revues made them beloved local favourites. Beyond entertainment, they toured towns and villages raising funds for schools, GAA clubs and churches, leaving an enduring legacy of laughter, generosity and affection throughout Limerick and beyond.

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Barricades Limerick

Barricades Limerick

Image 10 July 2026

At Thomond Bridge in Limerick in 1923, a soldier stands guard beside a rough barricade near the Treaty Stone, a symbolic landmark now overshadowed by civil conflict. The scene evokes the tense aftermath of the Treaty split, when Anti-Treaty IRA forces and pro-Treaty National Army troops fought for control of the city. Sandbags, timber, stone, and street debris suggest hurried urban fortification, while the soldier’s watchful posture conveys danger and uncertainty. The bridge becomes both military checkpoint and historic threshold, linking Limerick’s medieval memory with the bitter street warfare that marked the Irish Civil War in the city that summer.

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Books Supporting the Archive

Profits from every book help fund the continuing preservation, restoration and free public sharing of Limerick’s history.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

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Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

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Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

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Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

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Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

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Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

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Cover of Limerick Generations: 1900 to 1909

Limerick Generations

1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

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Cover of Limerick Generations: 1910 to 1919

Limerick Generations

1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

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