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Archive Records

Mary’S Church

Mary’S Church

Image 9 July 2026

St Mary’s Church stands on Athlunkard Street in Limerick, occupying a site associated with Catholic worship since the eighteenth century. The present church opened in 1932, replacing an earlier chapel where Mass was first celebrated on December 10, 1749. Designed by Ashlin and Coleman of Dublin, the building reflects the scale and ambition of parish church architecture in early twentieth-century Limerick. Its tower, façade, railings and street setting mark an important local landmark, while the surviving holy water font from the former chapel links the modern church with the long religious history of St Mary’s parish community today.

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Bridge Castle

Bridge Castle

Image 11 July 2026

This 1881 reconstructed image is based on an engraving and depicts Thomond Bridge and King John’s Castle overlooking the River Shannon in Limerick, County Limerick. The original was published in Élisée Reclus’s geographical work The Earth and Its Inhabitants, the image presents one of the city’s most recognisable historic views. The medieval castle dominates the riverbank, while the bridge connects the city across the Shannon. Boats, buildings, and figures add detail to the busy riverside setting. The engraving reflects both the architectural importance of the castle and the strategic role of the crossing, preserving a valuable nineteenth-century representation of Limerick’s…

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Bridge Castle

Bridge Castle

Image 11 July 2026

This 1881 reconstructed image is based on an engraving and depicts Thomond Bridge and King John’s Castle overlooking the River Shannon in Limerick, County Limerick. The original was published in Élisée Reclus’s geographical work The Earth and Its Inhabitants, the image presents one of the city’s most recognisable historic views. The medieval castle dominates the riverbank, while the bridge connects the city across the Shannon. Boats, buildings, and figures add detail to the busy riverside setting. The engraving reflects both the architectural importance of the castle and the strategic role of the crossing, preserving a valuable nineteenth-century representation of Limerick’s…

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Barricades Limerick

Barricades Limerick

Image 10 July 2026

At Thomond Bridge in Limerick in 1923, a soldier stands guard beside a rough barricade near the Treaty Stone, a symbolic landmark now overshadowed by civil conflict. The scene evokes the tense aftermath of the Treaty split, when Anti-Treaty IRA forces and pro-Treaty National Army troops fought for control of the city. Sandbags, timber, stone, and street debris suggest hurried urban fortification, while the soldier’s watchful posture conveys danger and uncertainty. The bridge becomes both military checkpoint and historic threshold, linking Limerick’s medieval memory with the bitter street warfare that marked the Irish Civil War in the city that summer.

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Gate Distillery

Gate Distillery

Image 16 July 2026

Thomond Gate Distillery stood beside the River Shannon from 1809 until 1919, forming an important part of Limerick’s industrial and distilling heritage. During the nineteenth century, the complex operated three copper pot stills and produced traditional Irish whiskey under several owners, including Stein Brown & Co. and Archibald Walker’s Limerick Distillery. These reconstructed scenes imagine the surrounding streets, workers, carts, buildings and towering chimneys during the distillery’s active years. Although production eventually ceased, the Thomond Gate name has been revived through an independent Limerick whiskey brand dedicated to preserving the memory and traditions of the original enterprise for future generations.

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O’Connell Street

O’Connell Street

Image 13 July 2026

This 1937 view of O’Connell Street, historically known as George’s Street, captures Limerick’s principal commercial thoroughfare during a period of urban transition. Georgian façades, prominent shopfronts and the landmark clock tower frame a busy scene of pedestrians, cyclists, motorcars and public transport. Heavy coats and formal dress reflect everyday life before the Second World War, while traditional businesses line both sides of the street. Several buildings and upper storeys shown here were later altered or demolished during redevelopment. Despite extensive modernisation and pedestrianisation, O’Connell Street remains central to Limerick’s commercial, architectural and social identity within the changing modern city today.

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Stone Cottage

Stone Cottage

Image 13 July 2026

This February 1937 photograph shows a weathered stone cottage in Limerick, with children gathered at its doorway and along the narrow street outside. The rough masonry, patched walls, boarded upper windows and low, sloping roof reveal the building’s age and modest condition. Electrical wires cross above the house, suggesting the gradual arrival of modern services within an older urban landscape. The children’s presence brings warmth and life to the scene, contrasting with the severe exterior and surrounding ruins. The image provides a valuable record of working-class housing, childhood and community life in pre-war Limerick during a period of social change.

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Shortest Street

Shortest Street

Image 16 July 2026

Quinlan Street is one of the shortest principal streets in Limerick City, measuring approximately eighty-five feet at its centre. Located within the historic Georgian Quarter, it forms an important connection between the Crescent, at the southern end of O’Connell Street, and O’Connell Avenue. Developed between the 1820s and 1840s, the street is lined with distinctive multi-storey red-brick Georgian townhouses built over basements. Its unusual layout means that one side is longer than the other. The street was named after Thomas Quinlan, the builder responsible for the original houses at numbers 1 and 2, preserving his contribution to Limerick’s urban development.

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Mary’S Church

Mary’S Church

Image 9 July 2026

St Mary’s Church stands on Athlunkard Street in Limerick, occupying a site associated with Catholic worship since the eighteenth century. The present church opened in 1932, replacing an earlier chapel where Mass was first celebrated on December 10, 1749. Designed by Ashlin and Coleman of Dublin, the building reflects the scale and ambition of parish church architecture in early twentieth-century Limerick. Its tower, façade, railings and street setting mark an important local landmark, while the surviving holy water font from the former chapel links the modern church with the long religious history of St Mary’s parish community today.

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George Street

George Street

Image 16 July 2026

Before becoming Cannocks, the premises at 134 George Street, now O’Connell Street, housed a successful drapery business dating from around 1814. By the mid-nineteenth century, the shop was operated by Cumine and Mitchell and was regarded as a high-class retail establishment. In 1850, Scottish businessmen George Cannock and John Arnott purchased the property, establishing Cannocks and Company, which developed into one of Limerick’s best-known department stores. The business remained a prominent feature of the city’s commercial life for generations. In 1980, the store was sold to Penneys, which continues to occupy the historic site today on O’Connell Street in Limerick.

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Books Supporting the Archive

Profits from every book help fund the continuing preservation, restoration and free public sharing of Limerick’s history.

Cover of Ashes

Ashes

The Ashes Trilogy, Book One

Ashes begins the story of a group of children growing up in the streets and lanes of Limerick, where poverty and hardship are balanced by humour, imagination and fierce friendship. Their city is more than a setting: it watches, remembers and gives voice to lives often absent from official history. As the children explore their neighbourhood, they encounter family pressures, faith, hunger, danger and the first signs of a changing world. Through their adventures and loyalties, the novel captures the resilience of ordinary people and introduces the characters whose lives will unfold across the three volumes of The Ashes Trilogy.

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Cover of Gurriers

Gurriers

The Ashes Trilogy, Book Two

Gurriers continues the lives of the Limerick children introduced in Ashes as childhood freedom begins to give way to work, responsibility and harsher choices. Their friendships remain strong, but poverty, family expectations, faith and the pressures of growing older test loyalties once taken for granted. The streets and lanes still offer humour, adventure and belonging, yet the wider world increasingly intrudes upon their lives. Through vivid dialogue, memorable characters and the watchful voice of Limerick itself, the novel explores resilience, identity and change while showing how even the closest companions can be drawn towards futures by circumstances beyond their control.

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Cover of Scattered

Scattered

The Ashes Trilogy, Book Three

Scattered concludes The Ashes Trilogy as the friends who once shared Limerick’s streets and lanes face adulthood, work, hunger, faith, family duty and emigration. Time has altered their ambitions, tested their loyalties and carried some beyond the city that formed them. Yet memory continues to bind Louie, Seamus, Joe, Sean, Peter, Tony, Bardy, Maura, Eileen, Nora, Lingo and the mysterious Gleamer. Narrated through the enduring presence of Limerick itself, the novel explores separation, sacrifice and survival while recognising the humour and affection that remain. Together, their scattered lives complete a moving portrait of friendship, community and change across changing generations.

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Cover of Threshold

Threshold

The Troubles Trilogy, Book One

Threshold opens in Belfast in 1968, where the Catholic Devlins and Protestant Morrows confront a city divided by religion, memory and fear. Civil rights marches, police violence, riots and internment transform ordinary streets into dangerous frontiers while political conflict enters homes, workplaces and schools. At the centre are Aileen Devlin and Thomas Morrow, whose relationship challenges the boundaries their families regard as essential to survival. As loyalty hardens into suspicion, both must decide whether inherited allegiance excuses injustice. Through family arguments, upheaval and private courage, the novel explores love, conscience, division and survival during the opening years of the Troubles.

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Cover of Hunger

Hunger

The Troubles Trilogy, Book Two

Hunger is Book Two of The Troubles Trilogy, set in Belfast during the 1980s. Aileen Devlin and Thomas Morrow have built a fragile life across the city’s sectarian divide, but the conflict threatens the home they created for their daughter, Claire. As hunger strikes, the Anglo Irish Agreement and violence reshape Northern Ireland, republican Declan and loyalist Billy exploit fear, grief and vulnerable young men. Against them stand Aileen, Kathleen and Elsie, whose quiet strength keeps their families human. This is a story of love, survival and the courage to place people before causes in a divided society under pressure.

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Cover of Crossing

Crossing

The Troubles Trilogy, Book Three

Crossing concludes The Troubles Trilogy during the decade from 1990 to 2000, as Belfast moves from violence towards negotiation, ceasefires and uncertain peace. The Devlin and Morrow families face political change alongside grief, ageing, divided loyalties and the consequences of choices made across three decades. Relationships once threatened by religious boundaries are tested by memory, mistrust and the fear that compromise may betray the dead. As the peace process gathers momentum, ordinary people must decide whether reconciliation is possible. The trilogy closes with a story of endurance, forgiveness, loss and hope beyond inherited division, proving that peace begins with courage.

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Cover of Severance

Severance

Historical Novel

Severance is a historical novel set in Ballingarry, County Limerick, during Ireland’s struggle for independence. A torn and bloodied dispatch passes through fields, kitchens, lofts and hidden routes, placing everyone who handles it in danger. Michael Enright carries the burden of trust, while Mary, Molly and their neighbours struggle to preserve the message and protect one another. Against them, Captain Edward Harcourt studies every delay, wound and fragment for clues. As loyalty, fear and betrayal tighten around the hidden network, ordinary people must decide what they are willing to risk when history enters their homes and silence itself becomes dangerous.

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Cover of Limerick Generations: 1900 to 1909

Limerick Generations

1900 to 1909

Limerick Decalogy, Book One

Limerick Generations: 1900 to 1909 opens the decade by documenting a city and county entering the twentieth century amid political debate, commercial activity, poverty, faith and technological change. Month by month, the book connects major Irish developments with local events, institutions, streets and communities. Public meetings, labour, transport, education, sport, business and everyday life reveal how national questions were experienced in Limerick. Historical reports and carefully reconstructed narratives bring forgotten moments and ordinary people into focus. As Book One of Limerick Decalogy, it establishes the foundation for a ten volume journey through one hundred years of local history and memory.

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Cover of Limerick Generations: 1910 to 1919

Limerick Generations

1910 to 1919

Limerick Decalogy, Book Two

Limerick Generations: 1910 to 1919 traces a decade of political transformation, labour conflict, war, revolution and social change across Limerick city and county. Home Rule, unionist resistance, trade union organisation and the First World War entered streets, farms, schools, workplaces and family life. The Easter Rising, conscription crisis, influenza pandemic and general election altered public loyalties and expectations. The decade culminated in the Limerick Soviet of 1919, when workers challenged military restrictions through organised collective action. As Book Two of Limerick Decalogy, the volume preserves local experiences of hardship, courage, grief, endurance and change during years of intense historic upheaval.

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